Thomas Struth - Galleria dell’Accademia I, Venice 1992 (1992)
Keith Haring’s mural for the former Collingwood Technical College. It’s one of only thirty surviving public works by Haring, and one of only three that remains largely in its original state.
Richard Westall, 1765-1836
Sappho, ca.1800, oil on canvas, 78x63,5 cm
Lady Lever Art Gallery (National Museums Liverpool ) Inv. LL 3570
The Repentant Magdalen
George de la Tour
c. 1635 - 1640
Evening by the lake, Detail. by Max Nonnenbruch
La Scena Dell’ Harem by Natasha Kertes
Jenny Holzer, My arrogance knows no bounds and I will make no peace today, and you should be so lucky to find a woman like me
Mercury and Psyche, by Reinhold Begas
Women Artists Visibility Event: The Museum of Modern Art opens but not to women artists, NYC on June 14, 1984
Shot by Clarissa Sligh
Despite the increased visibility of women artists by 1984, most were not included in mainstream gallery or museum exhibitions. When the Museum Of Modern Art opened the exhibition the “International Survey of Painting and Sculpture,” with great fan fare, of the 169 artists chosen, all were white and less than 10 percent were women.
Women artists were incensed. The Women’s Caucus for Art and other women’s groups in the area organized to protest the underrepresentation of women artists.
Included in the photographs are Lucy Lippard, May Stevens, Linda Cunningham, Emma Amos, Sabra Moore, Sharon Jaddis, and Alida Walsh. The posters were pasted all over Soho, a vastly different place from the Soho of today.